values and conservation
Animals sit at the heart of my work because I care deeply about them — not as symbols, but as living, thinking beings trying to survive in a world that keeps shrinking around them. I’m drawn to their resilience and their vulnerability, to the marks life leaves on them, and to the quiet strength it takes to keep going.
Conservation isn’t something separate from my art; it runs through everything I make. I’m proud to support organisations doing real, hands-on work to protect wildlife, including Dogs4Wildlife (for whom I am ambassador), and I regularly donate artwork to conservation charities to help raise both funds and awareness.
I believe art can create connection, and connection changes how we behave. If my work makes someone pause, look again, or feel a little more responsible for the world we share, then it’s doing what I hope it will do.


The Last Witness They stand side by side in a world that has taken almost everything. Two bodies holding the end of a story that never learned to stop taking. Both female. Both carrying futures that will never arrive. The air is quiet where it should remember them. The ground holds no answers. They remain— not as hope, but as witness. Alive long enough to feel the ending.

“Last Known Location” He looks straight at us. Still here. Still aware. But already slipping. The map begins to show through him — not suddenly, but slowly. Lines and borders replacing fur. This is how it happens. Quietly. Wild dogs are built to move. To range, to adapt, to exist without limits. As that space disappears, so do they — not all at once, but in fragments. Reduced to records. To sightings. To a last known location. His eyes remain clear. Intelligent. Unfinished. He isn’t gone.

Misunderstood confronts the way fear has shaped the fate of the hammerhead shark. Often persecuted and vilified, this powerful species now faces critically low numbers, pushed to the edge by misunderstanding rather than necessity. The composition captures both strength and vulnerability — a reminder that dominance in form does not equal invincibility. This piece asks the viewer to look beyond fear, to recognise balance, and to consider what is lost when we choose control over coexistence.

The Last Witness They stand side by side in a world that has taken almost everything. Two bodies holding the end of a story that never learned to stop taking. Both female. Both carrying futures that will never arrive. The air is quiet where it should remember them. The ground holds no answers. They remain— not as hope, but as witness. Alive long enough to feel the ending.





